By Hsu-Ming Teo
The Sheik—E. M. Hull's best-selling novel that turned a wildly well known movie starring Rudolph Valentino—kindled "sheik fever" around the Western global within the Nineteen Twenties. A craze for all issues romantically "Oriental" swept via type, movie, and literature, spawning imitations and parodies with no quantity. whereas that fervor has principally subsided, stories of ardour among Western ladies and Arab males proceed to enthrall readers of state-of-the-art mass-market romance novels. during this groundbreaking cultural background, Hsu-Ming Teo lines the literary lineage of those barren region romances and ancient bodice rippers from the 12th to the twenty-first century and explores the gendered cultural and political reasons that they have got served at a variety of historic moments.
Drawing on "high" literature, erotica, and renowned romance fiction and flicks, Teo examines the altering meanings of Orientalist tropes resembling crusades and conversion, abduction by means of Barbary pirates, sexual slavery, the phobia of renegades, the Oriental despot and his harem, the determine of the robust Western concubine, and fantasies of get away from the harem. She analyzes the effect of imperialism, decolonization, sexual liberation, feminism, and American involvement within the heart East on women's Orientalist fiction. Teo means that the increase of female-authored romance novels dramatically remodeled the character of Orientalism since it feminized the discourse; made white ladies crucial as manufacturers, shoppers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in conventional analyses of Orientalism.
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Extra info for Desert Passions: Orientalism and Romance Novels
Desert Passions: Orientalism and Romance Novels by Hsu-Ming Teo
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