By Diane Pecknold,Kristine M. McCusker
Country track boasts an extended culture of wealthy, contradictory gender dynamics, making a global the place Kitty Wells may play the demure housewife and the honky-tonk angel concurrently, Dolly Parton may perhaps flow from traditionalist �girl singer� to outspoken trans rights suggest, and present radio playlists can trade among the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift.
In this follow-up quantity to A Boy Named Sue, a few of the prime authors within the box of kingdom song reviews reexamine where of gender in state song, contemplating the methods kingdom artists and listeners have negotiated gender and sexuality via their song and the way gender has formed the best way that track is made and heard. as well as laying off new mild on such legends as Wells, Parton, Loretta Lynn, and Charley delight, it lines newer shifts in gender politics throughout the performances of such modern luminaries as speedy, Gretchen Wilson, and Blake Shelton. The publication additionally explores the intersections of gender, race, category, and nationality in a number of much less anticipated contexts, together with the prisons of WWII-era Texas, the place the participants of the Goree All-Girl String Band turned the unlikeliest of radio stars; the studios and places of work of Plantation files, the place Jeannie C. Riley and Linda Martell challenged the social hierarchies of a altering South within the Nineteen Sixties; and the burgeoning towns of present-day Brazil, the place �college kingdom� has turn into a technique of negotiating masculinity in an age of financial and social instability.
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Extra resources for Country Boys and Redneck Women: New Essays in Gender and Country Music (American Made Music Series)
Country Boys and Redneck Women: New Essays in Gender and Country Music (American Made Music Series) by Diane Pecknold,Kristine M. McCusker
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